Digital mixer technology new features browsing
The digital mixing console is very mature in technology, and the market is showing an increasingly popular trend. The social ownership has increased year by year, and its growth rate has obviously accelerated. To this end, the world's leading and non-famous audio and electronic products companies are rushing to the momentum of the digital mixers in the market, or turning a part of their energy into the development of digital mixers, and constantly pushing new products to the market. Boutique, the following is the latest ones, and the features in the introduction are also part of the many features of each console.
First, Yamaha CL1
CL1 is a new generation digital mixer developed by Yamaha Corporation of Japan, the CL series (the other two are CL3 and CL5). The difference between the three models is only the number of input channels, the push-pull attenuator addition, and the measurement test. The CL1 provides 48 mono inputs and 8 stereo inputs. It has 2 main channels with push-pull attenuators (1 channel for mono and 1 channel for stereo). There are many different types on the rear panel for users. Output interfaces for various devices, including MIDI, word clock input/output, AES/EBU digital output, Ethernet interface for Dante network connection, and 3 small YGDAI expansion slots. In addition, the machine also provides 8 analog Omni inputs and 8 analog Omni outputs.
Feature 1: Virtual Effects Rack Provides Rich Effects Processor
The effects of traditional analog mixers are usually placed in an external rack and connected to the console host via a cable. The CL1 uses an on-board virtual effects rack in two modes, the Effect Rack and the Premium Rack. The former is a standard rack that provides regular effects, while the latter adds other types of effects through insertion. On each of the four virtual racks provided, there are 8 processor sockets, fed by any bus, or plugged into any channel. The effects generated by these processors are basically similar to the Yamaha SPX2000s, including reverb, delay, chorus, pitch transform, and the VCM effects developed by Yamaha (an extremely accurate simulation of the sound of real guitar speakers). In Effect Rack, the 32-channel graphic equalizer for all channels provides a 4-band parametric equalization curve that can be inserted into the bus for room acoustic equalization and other functions. In addition, Effect Rack allows users to select 8 effects from 46 background ambience effects and 8 insertion effects. It is worth noting that any effect on the Effect Rack can be replaced by the illustrated equalizer unit when needed.
Feature 2: Expanding capabilities, easy to use web applications
The device's network connectivity is also a factor in measuring the state of the art. Today, more and more digital devices are bundled with networking capabilities. Similarly, CL1 also has such capabilities. Compatible with the DanteTM network audio protocol, the machine can communicate with external control tables and input/output racks, while greatly facilitating the rapid and efficient design and deployment of the most basic and extremely complex capabilities of the console. Adding Lake® treatment through the expansion slot allows the system to be expanded and adaptable to meet the widest range of mixing needs. At the same time, CL1's compatibility with the DanteTM network audio protocol also creates the conditions for flexible connection of multiple I/O rack units (configured and positioned per application) and data redundancy for operational reliability. Dante supports a star network architecture with up to 8 rack units for easy connection to the CL1. When needed, the star network structure can be transformed into a daisy chain network with a few simple DIP switches.
Feature 3: Practical software programs
　 A major feature of the digital mixer is undoubtedly the convenience of the control of various software programs. CL1 uses a variety of software programs, one is a file converter, which can provide the latest version of data sharing between Yamaha digital mixers; in multi-track live tuning and recording, the most important thing is the stability of function control. Reliable, CL1 seamlessly integrated by Nuendo Live, a multitrack recording software developed by Yamaha and Germany's Steinberg. The biggest advantage of this advanced real-time production system software is that it automatically recognizes the various channels of the Yamaha digital mixer and starts recording immediately after automatically setting the necessary parameters. This high-performance DAW (Digital Audio Workstation) digital audio workstation software provides full control and smooth operation in the most demanding field conditions, enabling on-site recording quality to be studio quality and editing. Insert the expansion card, the software can also provide channel name, logo, transmission control and other functions when seamlessly integrated with CL1; with another Dante virtual sound card software, without the interface between the console and the computer, Can complete multitrack recording of Windows or Mac based DAW.
Feature 4: Easy to use, easy to operate
Easy to use and easy to operate is an important aspect of any electronic device design. Similarly, CL1 is no exception. First, the CL1 has a good control interface called Centralogic. In this interface environment where the digital control is very friendly, once the user selects a channel, the gain, dynamic and equalization of the channel (on-screen touch EQ equalization knob) The icon, the equilibrium curve appears, and so on, almost all parameters are presented immediately, without turning the page, but touching a parameter on the screen, the parameter is instantly enlarged. In addition, all settings can be stored and recalled at any time. The second is to provide user-defined keys. For direct and instant access, almost any variable parameter can be assigned to four user-defined knobs. Another advanced Custom Fader Bank control feature in CL1 allows users to immediately reorder push-pull faders in units of different areas of the mixer when needed. CL1's seamless integration of remote control and offline editing makes it easier to control the console via an iPad or other computer.
Second, Midas PR01
The PRO1 is a mid-size digital mixer developed by Midas, UK. It features a new lightweight aluminum frame that carries an all-weather 15-inch full-color TFT LCD screen that can be clearly displayed in daylight. Use a reliable Linux operating system. PRO1 features 24 microphone/line inputs with microphone preamplifier, 24 analog outputs (including 2 stereo local monitor outputs), 2 AES3 inputs, 3 AES3 outputs, and 3 left, right and mono The main output bus and a total of 24 mixing buses. Although designed for the traditional live broadcast environment of the tour, it is also ideal for use in mid-seaters, small rooms, and broadcasts. The PRO1 can be used indoors, outdoors in the hot summer days or in the cold winters of icy winter. The supplied USB keyboard allows users to insert text into predefined fields of the GUI graphical user interface.
Feature 1: Third-party software insertion extension function is easy
PRO1's networking capabilities include the ability to extend the functionality of the console through the insertion of any third-party software through the associated interface, including AES/EBU or AES50 digital audio, or standard analog audio interfaces. Synchronous external AES3 interface devices can be implemented in three ways: 1 Global - via input on the router; 2 from local to each input; 3 from local to each output (synchronized with adjacent local outputs). Multiple local connections can use different sampling rates, and each AES/EBU input and output has a sample rate converter. Compatible with digital audio transmission under the AES50 protocol, meaning that any third-party digital audio hardware that also has an AES50-compliant interface can be easily connected to the Midas network and transfer audio signals to Midas without any additional interfaces. On the hardware, or from the Midas hardware.
Feature 2: Easy to control controls
The operation of the PRO1 Control Center is based on color and grouping, rather than the concept of layering and pagination used by most of today's consoles. This individual/group color and name can be customized and defined by the user. It's easier than naming the channel number. Controls that are instantly recognizable on the desktop are configured in the main area of ​​the console according to logic rules, so that all functions that the user needs to access can be accessed instantly through the controls on the desktop. POPulation and VCA (Variable Control Associations) are the core control groups. The former 6 controls and the latter 8 controls are color-coded. You only need to press the corresponding selection button to switch. There is also a DVI connector called "Screen output" on the rear panel of the machine control center to facilitate the connection of the external monitor to monitor the console's control.
Feature 3: Rich and varied sound formats
The demand for stereo/surround sound is different between the theater and the broadcast application, and the PRO1 designed by the developer can be satisfied. The machine offers four sound formats: traditional stereo (left-right route to main bus), SIS (Stereo Imaging System) 4-channel stereo imaging system with LCR panning (left-right-center route to main bus), LCRS 4 channels (left, center, right, surround), and 5.1 panning. In addition, the machine also provides three auxiliary surround sound formats: one is Quad (left, right, left surround and right surround 4 channels), the second is Surround (left, center, right surround surround 3 channels), three It is 5.1 Surround (multi-channel surround for left, center, right, left surround, right surround and subwoofer). Each channel can be assigned by operator assignment to traditional stereo, or SIS 4-channel stereo, or a variety of surround sounds.
Third, Behringer X32
The X32 is a studio and live broadcast digital mixer developed by Behringer, Germany. It has 40 inputs and 25 hybrid buses, 6 balanced line inputs and outputs, and 16 balanced XLR outputs. Eight DCA (Digitally Controlled Amplifier) ​​digital control amplifiers with equalization, dynamics, and extended insertion and other signal processing, can be used in any concert venue of different sizes. The X32 offers a 32-channel programmable microphone preamplifier with a fever quality and a laptop with a 7-inch high-contrast color TFT-LCD with a resolution of 800 x 480. The machine's custom control area can provide users with a set of control schemes suitable for their own use. Users can customize the functions through the user-defined knobs and buttons. At the same time, they can be remotely controlled via iPad and iPhone. Once the user selects a function, the dedicated rotary/push encoder allows the user to set parameters and assign source input/output. The machine can be used to quickly make a high-level mix, and can be recalled whenever needed, or it can be stored on a USB stick.
Feature 1: Practical new generation TRACKTION 4 production software
TRACKTION 4 is a versatile software for DAW digital audio workstations with a 64bit/192kHz hybrid engine that supports mixing automation, regardless of the number of tracks recorded by the user and the type of effect used. The X32 is capable of audio recording, editing and MIDI production with this new generation of music production software. This powerful and easy-to-use cross-platform music production software is very different from other similar software. When it's function, it doesn't use the pull-down and hidden menu controls that most other DAW digital audio workstations typically use. However, the functions selected by the user can be controlled in the same window interface of the desktop computer display, and there is no need to display multiple window interfaces one by one. Compatible with Mac OS X, Microsoft Windows and Linux, TRACKTION 4 supports AU, VST (Virtual Studio Technology) virtual studio technology and third-party software insertion such as VSTi (VSTinstruments), compatible with .wav, .aif and .MP3 file formats. Output.
Feature 2: Multi-type interface for easy connection
The X32 offers a wide range of connections, providing a total of 168 source input and output targets. In addition to analog input/output, the unit features two AES50 interfaces on the rear panel, each with KLARK TEKNIK technology. Reliable networking capabilities for reliable communication with digital snakes (the latest digital audio transmission technology and systems connected using a network cable), stage remote control boxes, or other mixing consoles. The unit supports stereo AES/EBU output, ULTRANET P16 and MIDI connectivity. To facilitate the recording of dual channel uncompressed programs directly on the USB thumb drive, or to play background music, a top USB interface is provided. The X32 has a built-in XUFFireWire/USB audio interface card pre-installed on the expansion slot, an Ethernet socket for remote control via LAN or Wi-Fi connection, and an expansion interface for digital bridges.
Feature 3: A lot of sound-sensitive finishing treatment
The X32 has eight built-in stereo/dual-channel engines that can be assigned to provide a wide range of effects including delay, chorus, phase, pitch shift, a set of high quality reverbs, and transient boosters, limiters, boosters, guitar amplifiers. The effects of some less common devices such as the tube preamplifier simulator and the rotary speaker simulator. Each of the eight engines can be converted to a dual channel 31-segment graphic equalizer when needed. Among the 8 engines, 4 effect engines can be set as regular auxiliary effects, sent through the auxiliary output port; they can also be inserted as plug-ins, and another set of 4 effect engines can only be used as plug-ins. A typical configuration may involve 4 stereo multi-effects, with 8 mono 31-segment equalizers plugged into the monitor speakers, matrix speakers and front-end voice-activated speakers.
After several years of development, the digital mixing console has been very mature in technology, and the market has also shown an increasingly popular trend. The social ownership has increased year by year, and its growth rate has obviously accelerated. To this end, the world's leading and non-famous audio and electronic products companies are rushing to the momentum of the digital mixers in the market, or turning a part of their energy into the development of digital mixers, and constantly pushing new products to the market. Boutique, the following is the latest ones, and the features in the introduction are also part of the many features of each console.
Fourth, QSC TouchMix-8
TouchMix-8 is a small digital mixer developed by QSC in the United States. It is designed for musicians, professionals, and live performances. Small and lightweight, this affordable mixer has the power and the power to record live concerts and record large-scale concerts, with the inherent features and parametric metrics of a large console, and is easy to use. The TouchMix-8 provides 12 microphone inputs, of which 4 are microphone inputs, 4 are microphone/line inputs, 2 are stereo line inputs, 2 are USB inputs, and 2 main outputs (left/right lines), 1 Stereo output (line or headphone monitor), 4 auxiliary outputs (line), 2 channels of stereo output (cue/listening). The aircraft also has 8 silent channels and 8 DCA grouping channels with mute function. The TouchMix-8 features a 4-band full-parameter equalizer for each input and is equipped with a high- and low-pass filter. Complete dynamic processing, equalization, high-pass low-pass filter and delay processing are available on both the main and auxiliary output channels. In addition, TouchMix-8 provides "simple" and "high-end" modes of operation for the operator to choose. In simple mode, the user can only control some of the most basic functions and parameters; while the high-end mode allows the operator to perform all functions. Control and adjust with parameters. The TouchMix-8 also features live mixing and the ability to access multiple monitoring devices and systems, including headsets. No need to connect any PC device and display, the operator can complete all functions through the mixer's own full-color touch screen and the physical interface of the physical buttons. TouchMix-8 supports real-time recording up to 32bit wave format, and recorded file music can be played back on the mixer. The machine can also be post-production with compatibility with most digital audio workstation software.
Features 1 Convenient functions and parameter presets and calls
For convenient live performance, TouchMix-8 provides complete preset storage and call-to-call functions. The preset stored parameter data is provided by experienced sound engineers. These data instruments, common microphones, and various speaker systems based on their years of experience have been versatile, highly versatile, and highly effective. This feature creates conditions for newcomers, or for the effort to manipulate the console effortlessly. In addition, the TouchMix-8 also has a scene storage and reading function, which records all the parameter settings related to the scene, which can be called up at any time when the user needs it, including calling the pre-stored scene in the external device through USB.
Feature 2 with the operation of the Elf Assistant
The TouchMix-8 has two control assistant functions on the mixer panel, one called the Effects Wizard and the other called the Gain Wizard. The former mainly assists novices in properly using the effects, and guides the use of appropriate effects and auxiliary channel assignment; the latter will help them to make appropriate channel settings and level adjustments, and will continuously monitor and display the input signals in real time. Clipping distortion occurs. With the guidance of these two elf assistants, the professional level of the novice will increase rapidly.
Feature 3 Mobile control with software
With the iOS mobile device (RemoteControl App for iOS) program, users can access and manipulate all the functions of the console through the mobile device without any network hardware, and regulate all performance parameters. However, a network connection between the console and the handheld via a USB Wi-Fi adapter is of course still required.
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