Domestic stage lighting industry development analysis

The stage lighting is an important part of the performance space. It is based on the development of the plot to perform a full-scale lighting design of the visual stage lighting environment for the characters and the specific scenes required, and has the purpose of visualizing the design intention to the audience. Artistic creation. A comprehensive and systematic consideration should be given to the spatial modeling of characters and plots, strictly following the modeling laws, and using good styling methods.

The future of the stage lighting system is very exciting. After the advent of incandescent lamps, the technical transformation of the stage lighting system began with the appearance of Leko luminaires in the 1930s. In the 1960s, the emergence of SCR dimmers led to fundamental changes in the development of stage lighting systems. At present, automated lighting and computer lights (first appeared in the 1970s) are setting off another revolution in stage lighting technology.

Computer software on stage lighting design will continue to develop, and will eventually allow designers to dominate his "visual" technology in a completely artistic "interactive" way. Today's lighting software offers designers only assistance with design, painting, and paperwork. Future stage lighting design software will be able to use "tactile screen" and "speech recognition" functions. The intelligent control of the stage lighting system has begun to take shape.

However, looking at the domestic market, sales personnel and customers can often be heard to say: "We use the imported XX ... ..." Why does the domestic stage lighting in the eyes of people will be relatively backward?

First, the reason analysis

1, concept behind

The backwardness of ideas involves many aspects. On the side of the manufacturer, some people think that the technology of lighting technology is low, so if you look at it, you don't have to invest in developing it. You also think that there is no market for high-end products, and there is a large investment in development and risks. There is also a weak concept of implementation standards. We ignore the various technical standards and norms; even the legal concept is low, shoddy, and fake. From the perspective of the users, some of the troupe leaders think that lighting can only meet the performances, and they are reluctant to invest more funds to upgrade equipment or purchase high-end lamps; some theater managers exclude high-performance lamps that require high maintenance and use complex, leaking light. Whether or not do not care, only satisfied with the performance is no problem, less light bulbs on the line; there are a few lighters used to use old lamps do not want to accept new things, new products.

2. Weak design power

Some luminaire manufacturers have a small number of designers, even no one, and they have low levels of professionalism. They often ask for help when developing new products. Although it may be true lighting experts, but they do not understand the stage, do not understand the function of the lighting in the stage, may not be able to design the lighting for the stage. In addition, after the development of the product, people leave and cannot improve or upgrade the product.

3, lack of investment in the development of lamps, lack of technical reserves

In recent years, some promising manufacturers in China have begun to invest more money in the development of new products, but for a country with a vast territory such as China, it is still far from enough. Driven by economic interests, short-sighted behavior is common, and even less willing to invest heavily and reserve technology.

4, low-end market impact

At present, many theater companies and theaters have economic constraints, especially for a large number of small and medium-sized theater groups and county-level theaters. Therefore, low-cost, low-performance products still have a wide market. As manufacturers compete for low-end markets, the price war is inevitable. The cost of a product can be saved by a factor of 5 per cent. Thin materials, short wires and a little less work, the quality of the product is a little worn away. High-end products, such as spring and snow, are seldom paid, and the company’s own capabilities are not enough, and they are comfortable in the low-end market.

5, the manufacturer's management level is not high

Most of the domestic lighting plants are small businesses, including many private enterprises. Although a few have passed international certifications such as ISO9000, there is still a large number of manual workshop-style production and home-based management, which lacks the construction of a modern enterprise system.

6, the impact of foreign advanced products

The entry of advanced lighting abroad has brought new technologies and new ideas to the Chinese people and also hit the domestic market. At present, high-end products can be said to be dominated by foreign products and many large-scale theaters built in the past two years. As long as economic conditions permit, imported lamps and lanterns are used. Some domestic manufacturers are unable to compete with foreign brands and can only abandon the development of high-end products, which has a negative impact on the development of domestic lighting.