Five ways to use reverberation monoblocks efficiently
Sometimes, the simpler the better. The common practice of dealing with dull tones is to add a little reverberation. But even if you have a first-class sound, a short delay will completely ruin your music, or even become It’s funny. It’s like a singer tends to mix his own voice with a little resounding reverb, and the musician can always hear the problem. Just like a note can adjust all the notes. Like a safety net, a little reverb can help you integrate your chords into a tune through this sensible extra effect.
If you're a plug-in acoustic guitarist, adding a little reverb may be the only option you can choose. This can be inspired by the reverb master Tommy Emmanuel. He used the 80s old Midiverb II rack module to produce reverberation. This will increase the impact of the performance and the perfect blend of the notes in the chords and chords. This example is equally instructive for electric guitarists without built-in speakers, as they may not know that their music is missing. What. If your playing style needs it, try using the The Hall of Fame mini one-button reverb effect from TC Electronics, add it to the amplifier's effects loop, or place it on the last chain of the pedalboard. A little reverb is enough to be a quick binder for your entire tone.
The legendary old recording technique was used by Jimmy Page to make a lively fragrance by placing a microphone near a loudspeaker in a small room and placing a microphone to receive audio further afield. The mix mixes the two soundtracks to create a louder sound. This method still creates a wonderful effect, and the placement art of the microphone is perfectly interpreted by Steve Albini. His wide range of microphone pickups appeal to the public. Electrical Audio Studio produced the best 3 track record at the time.
Now, most of us will imagine lofting or playing rock music in a tuned, reflective environment, but most of the time we can only use technology to reproduce the grandeur of this music in real space. Fortunately With today's technology, we can use the reverb effect to create the sense of space and depth of this music.
There are two easy ways to achieve this. Let's start with a mono setup. Many modern reverbs have pre-delay keys (both EHX Cathedral and Strymon Big Sky). If you twist this button, By delaying the opening of the reverb by a few milliseconds and adjusting your delay to a minimum, you will get a slap effect similar to room reflection. If your effect pedal has tone control, then just Highlight or dim the room key to mix or highlight it.
Then let's consider setting up stereo. If you have a stereo reverb effect like Nuenabar Wet or TC Electronic Trinity, leave it to the end, first link it to your favorite two stereos, and adjust to it. But we Let's say you only have a simple EHX Holy Grail, don't want to start a new effect, and want to create a loud and wide sound. What if? If you put a stereo mix in front of your mono reverb box Sound effects (probably a stereo chorus effect or even a Boss TU-3 tuner), try to output to a sound before reverberation, and then output to the second sound through reverb. Haha, so you have a poor person Stereo reverb equipment.
The adjusted reverb effect is always associated with ethereal music. Listen to the liquid-lava guitar sound that Kevin Shield presents in his 1991 masterpiece Loveless, My Bloody Valentine's (and The late 2013 MBV, or the full and turbulent sound of Nick McCabe’s song "The Verve's" in the 1993 album "A Storm in Heaven", you can see these pioneers How to redefine the reverb.
Maybe you have to go to the old-fashioned rack to build crazy reverse or adjusted reverb sound so far, but now you can go through Eventide's Space, Strymon Big Sky, Hardwire's Ambient Verb and Mr. Black's Supermoon Modulated Reverb Explore the outer limits of the tone of the sound. Add the magic of these modern technologies to your music, and you can create music you never imagined with sound effects you have never had before.
Adjustable reverb can also be applied to tiny sound effects. How many times have you tried to imitate Johnny Marr's cheerful improvisational melodies but can't do it? You roar your own chorus effects because they sound outdated, Or always impose a lot of triangular sound waves in your tone. Maybe you want to add some falling vibrato to decorate the music to use this technique, but your guitar has no vibrato module? The answer may be in the adjustable reverb. Try to pass Adjust the keys to add a little tone, turn down the delay and reverb. The magical melody that you can't show in your mind naturally appears.
Before a large number of signal input gains and compression effects were introduced, guitarists wanted to externally retouch the sound on the fingerboard. There was only one way to do this - turn up the volume of the sound and add a moist elastic blend to the sound signal. Sound effect, or both!
Looking back on the past, the resounding resounding position is outstanding, and even a forward-looking big cow can use the impromptu movement of radical breaks to order the American broadcaster. He is Dick Dale, the king of surf guitar. There has been a period of history The guitarist and performance are silent, and the man of Dale's elastic reverberation makes it the mainstay of the music, and the most popular playing skills of guitarists are still being debated.
Even if you don't have a Fender stereo with built-in long box reverb, the pedal simulator that emerged in 2014 is still a Renaissance with elastic reverberation. From Malekko Chicklet, Mad Professor Silver Spring Reverb, Boss FRV-1 to SolidGold FX Surf Rider Deluxe, you don't have to worry about adding too much effect. Next time you want to create a historic long sound effect, try to change your trusted dirt box and compressor to grow the reverb. It can create creative music. Subvert, or transform a traditional bass improvisation into a wonderful journey full of psychedelic music.
After introducing a series of basic applications for often overlooked reverb monoblocks, let's think about what would happen if you don't use reverberant monoblocks. In the field of pedalboard, the long-standing debate is probably "You are always in the room, why do you need a reverb effect?" Well, what if the sound in the room sounds too sharp or dull? Don't worry, God gave you a reverb effect at this time. (such as the excellent tube-driven T-Rex Roomate). As mentioned before, the effect of adding a little reverberation is audible, and a room with tone control or hi-cut The reverb can scatter the harsh reflections in the environment or double as an additional tone processing device.
Now that we've explored the various features of the "nobody" reverb, you might want to consider the evolutionary reverbs that appear on the market. Even if other effects in your pedalboard still dominate. You can also use the Gaffer Tape Velcro method to ensure that your favorite reverb matches your sound and enjoy the music that it brings to you.
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