He Ba Li: Young without limits (Photos)
Before interviewing He Baoli, our understanding of him was limited to the design director of Yuanguang Lighting, and Xu Qinghui, the director of design design of Kebo Lighting, was the proud student. In addition, He Baoli is for us, just a strange name, just a young man with a design supervisor title on the business card.
Are you after 80?
I was born on the tail of the 70s, forget it, huh, huh.
Feel free to ask questions and let the reporter feel gracious. The similar age makes our communication natural and smooth. From lighting design to leisure life, the doubts that existed in our minds before the interview were all snarled in the brisk conversation rhythm.
When he was a child, He Ba Li should be a child who is somewhat different from ordinary people. When other children were still in kindergarten, He Boli, who was 4-6 years old, had already completed all the courses in elementary school under the strict guidance of his parents. When other children were still reading "Snow White" with relish, He Bo Li before the age of 10 Almost all the masterpieces have been read; and when the children in their 10s have just read the first masterpiece of their lives, He Baoli has read a lot of biographies and started to get professional books on business.
After graduating from English, he said that he was lucky to abandon En.
Following the legendary childhood trajectory, under the guidance of his father, He Baoli, under the guidance of his father, chose English majors for his strong grasp of language and his strong interest in literature. After graduation, he went to a foreign trade company and worked as a translator and documentary. For graduates, this was originally a good career choice. However, He Baoli, who did not take the usual path, only let this hard and boring work last for three months. After thinking about it, he switched to an engineering company and started lighting. Apprenticeship.
The reason why I chose lighting is actually related to my childhood experience. He Ba Li said that I started practicing calligraphy at the age of four, and I felt strongly about black and white, light and dark. For me, light and shadow are two complementary concepts, and the change of light and fat is very subtle.
However, there is still a huge gap between hobbies and professions. In the first half of the year, He Baoli’s work is very hard, and overtime is more common. On that hard day, He Baoli profoundly understood the meaning of the hard-working and hard-working words that his father often hangs on his lips. Lighting designers often work overtime, but He Baoli, who had experienced the apprenticeship, easily said frankly that it is necessary and important for a design practitioner to work hard. When I deal with many design companies and owners, I find that architects and space designers are very hard and often work overtime. In comparison, lighting designers are still happy. My choice is fortunate.
I started the lighting design and seemed to be disconnected from the original English. He Ba Li said that English is an indispensable tool for his lighting design. With his own language advantage, He Baoli pays more attention to foreign design concepts and trends than his peers. He also receives a wider range of lighting information channels than the average designer.
During the conversation, He Baoli emphasized more than once that absorption is very important for lighting design. Just like practicing calligraphy, it is impossible to be self-contained from the beginning. To form your own body and body, you must start from Linyi. Linyi can be freely played on a certain basis to gradually form its own style. English is an important tool for his new information in Heiner. Reading foreign materials, magazines, browsing foreign websites and going abroad for study are important ways for He Baoli to accumulate lighting experience.
The lighting design of Guangdong Dongpeng Ceramics Headquarters, designed by He Baili, is an exotic product. He said that paving the road is very hard.
In the view of He Boli, who pays close attention to foreign trends, the biggest gap between domestic and international lighting design lies in normativeness. Compared with foreign countries, the domestic process is obviously lacking in rationality. Many designers often start with the feeling when they take over the project, or they can draw a renderings and straighten the project. Foreign lighting designers pay more attention to rationality. They attribute their perceptual knowledge to rational analysis, which is equivalent to operating as a product. It turns out that a process that rises from sensibility to rationality will make the whole process more standardized and smoother. In addition, foreign design circles usually have a lot of licenses issued, which is very conducive to market regulation, it is equivalent to let the designer have a credit record, with credit, it is easy for the owners to choose. However, the country has recently introduced various policies, such as the lighting designer's research, which shows a market-oriented tendency, which is very good.
Talking about China's lighting design, He Baoli bluntly said that although the Chinese invented a lot of basic lighting equipment, the modern lighting design is still imported, and it needs to be brought to the spirit. For this reason, he will spend more time than ordinary people to pay attention to foreign lighting trends. I hope that through these efforts, more people will understand the lighting design and understand the domestic and international differences in lighting design, so that the lighting design will be promoted in China. Going on, reducing the distance from the foreign design community.
He has written a professional paper "The Forest of Lamps", which aims to do some paving work for the lighting application in space design. He also wrote the lighting series "Lighting Your Life", and wanted to introduce indoor lighting in a simple and plain language. skill. He said that because the lighting designer's perspective is often different from ordinary people, it takes more time to do some lighting knowledge for the whole society.
Recalling the days of "lighting your life", He Baoli said that it was very hard. It is not the pain of the process of writing, but the environment of creation is a bit harsh. Most of the time I was on a business trip, and there was no laptop at that time. I could only go to the Internet cafe to write. Choose a foreign article to translate every day, and then put it online. This lighting series, which focuses on the interior lighting of the home group, did not bring any fame and fortune to He Boli, but his efforts finally set up a bridge of communication. In retrospect, He Ba Li just said that it is very hard to pave the way for a person. Some people do this kind of work, maybe they can do it faster and better.
Every year, he said that what I want is just a feeling.
He Ba Li is a very rigorous person. He said that everything must be self-conscious, self-conscious and spontaneous. Therefore, every day's plan will be under his strict control. To do the design, he will spend 80% of his energy in the early stage, consider all kinds of possible situations, and let the concept go first, so as to ensure the smooth progress in the later stage. If the early stage is very easy, the later stage will be very urgent and very hard. He Ba Li said.
At work, he will arrange all the plans in a well-organized manner; in the conversation, he will also record the points in a meticulous manner; in life, he will certainly set aside time for himself for the past year, for the past year, for the future. Planning for life.
He Ba Li said that the annual Spring Festival is his reflection period, just as many people will pilgrimage in a certain season. During this time, he will shut himself down at home, read a book quietly, or think alone, let himself sink and rationally face life.
Perhaps it is this rationality that when most lighting designers turned their eyes to the outdoor design where the market is bigger and the cake is more delicious, He Baoli said calmly that he only wants to be indoors. In China, the indoor lighting design can be almost blank, and it is definitely a good thing. I hope to be ahead of others, I hope that my first step will bring better lighting and better space for the owners. For others, what you might want to design is a real benefit, but for me, what I want is just a feeling.
Reporter's notes:
In our conjecture, He Baoli, who has made the lighting design alive, will have an infinite future. However, talking about these, He Baoli is very indifferent. He said that lighting design is just one thing that I thought of in a period of time. In the future, I might do lighting design and do other things part-time. For him, engaging in any profession is a fate.
In fact, no matter the design, the language, or something that we can't speculate, for the young He Boli, his future is boundless.
Introduction to He Baoli:
The design supervisor of Guangzhou Yuanguang Lighting Technology Co., Ltd. has 7 years of experience in the lighting industry and has professional and keen insight into the development of the domestic and international lighting industry. He Baoli personally presided over the design and cooperated with many space design firms on specific projects. The completed and under construction projects include Hebei Jinniu Energy VIP Reception Center (Jinyi Beijing Branch), Bank of China Hubei Branch Headquarters Office Building (Hubei Haotian Architectural Decoration Design Co., Ltd.), Guangdong Silk Road Museum (Work of Guangzhou Fine Art Company), Jingdezhen Haichangfa Blue Porcelain (Taiwan-owned) Plant, Hubei Telecom Second Hub Building, Wuhan People's Congress Conference Center, Wuhan Lidao Garden Club, Hubei Telecom Second Hub Building, Huzhou City Sanlu 1st Street Lighting Planning, Guangzhou Shangjing Furniture Headquarters Exhibition Hall, Guangdong Dongpeng Ceramics Guangzhou Flagship Store and Foshan Headquarters Exhibition Hall, Monte Carlo Ceramics Headquarters Exhibition Hall, etc. Lighting project. He has published "The Forest of Lamps" in the "ID+C Interior Design and Decoration" November 2006 issue, "Indoor Lighting Application" in the "Textile and Apparel Weekly" published in June 2008.
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