Jiang Haiyang: I thought of it from the Harbin Grand Theatre.

On April 24th, we pushed a landmark of the big city designed by the Chinese: How to design the Harbin Grand Theater lighting? The article, a thousand readers have a thousand Hamlet, Jiang Haiyang teacher after seeing, quite touched, so give us a manuscript, share some of his ideas with you.

Let's take a look at it together.

Every conscience architect has two complexities, one is naturalism, which is expressed in organic architecture, bionic architecture, and overburden buildings and energy-efficient buildings; the other is the utopian tendency of design, the designer is in the building Not being dwarfed in front of him, there is enough humanity to show and dignity. Architecture is infinitely close to people, so what we hear from architects is that “the building grows out of the earth.”

Can the building really grow out of the soil?

The topic of the Harbin Grand Theatre is not very large in itself, because there is not much controversy about this type of architecture, whether it is manufacturing technology, investment scale, mass resolution, and spatial structure. When I looked at it from a non-architect's perspective, I even thought it was a slightly mediocre building. However, this kind of building is very suitable for photographing. The heavy shadow in the sun is the clear barrier of the body. The delicate gray tone of the haze is softly stretched by the epidermis of the building; the accurate beaming of the night can attract people's attention.

Photo: Harbin Grand Theatre

This kind of building will not be arrogant.

The education of the architects prompted them to like to implant the project into the image, just like the architect Ma Yansong’s dictation about the Grand Theatre:

A ribbon slowly rises from the ground to become a snow peak;

The use of aluminum panels allows the building to adapt to the environment in all seasons;

a raised bag that metabolizes particles on the skin;

The light body makes it breathable;

The glass skylight forms the feeling of ice crystals;

People can look down into the amphitheatre from the ramp to the top, which is indeed a good means of dissolving mass and forming façade changes.

Only such a building appears on the shoal of the Songhua River. In any case, it is not low-key, nor is it natural growth. The building provided an international model for the northern city of Harbin, which drove up the price of land around Songbei District. This is why the government is keen on landmark buildings.

It is understandable that architects like to give images to their work and to force this image to be related to the environment. The image is based on the characteristics of the surrounding space, in line with the background of the humanities in the region, and the building has a sense of direction and identity. “If a person wants to settle down, he must be able to identify the direction and identify with the environment in the environment.” The architecture that Norberg Schultz refers to is the “place spirit”. Building is not only the design of the skin, image, structure, material, construction should be a real thing, architecture is no longer a power is a commemoration, it should be the background of human settlements, its subordinates and human activities. We have seen too many utopias that are detached from reality. The illusions are intimate with people, but they are not real.

What is the essence of architecture?

The deep esoteric question of this question can be listed as a philosophical resounding echo, from Vitruvius to Le Corbusier trying to explain. It is meaningless to return to Laozi’s saying that “the house is a house”, although this is the essence, the essence of the building is to settle down.

Thames's "decoration is sin" has become obsolete. Anti-decoration can be a social necessity. Buildings without decoration can not survive for a long time in human emotions. Every building is a graphical existence. The graphic itself has meaning. Each person's observational focus has different meanings, and the meaning becomes a substantial appearance. The essence is different because of human experience. There is only one essence.

Nouvel's Paris Arab World Cultural Center has made the outer skin automatically open and close as the light changes, which is just a reflection of the complexity and diversity of the building. I don't agree with his interior space, low and crowded, and natural lighting is not good. Because he made the window a certain structure and image. When architecture becomes a designer's personal means of expression, it has already produced alienation from human behavior.

Photo: Paris Arab World Cultural Center

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